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Feature: Amanda Cox

By Jax Johnson

The Director of Houghton’s Lyric Theatre, Professor Amanda Cox, who recently directed Houghton’s production of “Into the woods” has recently participated in numerous other projects. Some of these projects include working on a film called “Through the eyes of Grace”, and acting in a production of “The Last 5 Years”. Cox discusses her recent step into the acting world with the exciting, the anxiety inducing, and the everyday, all as a part of the experience. 

On entering the world of professional acting, Cox says, “It’s something I have always dreamed of doing. I thought I would love to do this. I think I’m gifted in this way but it just wasn’t what I did and I’ve had a beautiful, wonderful, fulfilling life…but then it was like God looked at me and said, ‘But what if you could?’”

In early 2022, Cox found a casting call and began auditioning for a film titled, “Through the Eyes of Grace”.

Cox describes the film as “a faith-based thriller about a mother who’s teenage daughter disappears and throughout the movie we’re just trying to get her back.” 

Cox notes other recent on-screen appearances through true crime productions acting in the recreation scenes as well as a short film called “Dear Hallmark”.

While she has begun acting on-screen, Cox still keeps her love for the stage. She has recently been in several shows including “Camelot” and “The Last 5 Years”, as well as an upcoming role as Marmee in “Little Women”.

Cox continues by describing the process of getting headshots, going for auditions, and getting her first manager. 

She says, “you’re basically signing up for a permanent temp job, because there is no permanent job…sometimes there will be months or years in between and that’s normal.” 

With auditions, she says, “You just have to release them out into the universe.” Throughout the whole process she notes that she is incredibly grateful for her family, including her husband who has been, “a great foundation to rely on.”

Moving forward, Cox says, “I just want to keep having projects in front of me.” ★

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Opinions

The Hunger for Violence

Over Thanksgiving break I went to see the third movie of The Hunger Games series, of which I have read all three books. Since then, multiple people have asked me if I liked it, and each time I have had trouble answering. Did I like it? I don’t think so; but I don’t think this series was meant to be enjoyed.

CoryBrautigamIt’s not that the cinematography was bad or the acting was poor, but it’s disturbing to see the parallels between the dystopian society imagined by the author of The Hunger Games, Suzanne Collins, and the world we live in. And surely this is, at least in part, the point of the series. However, what’s more disturbing is the number of people I hear talking about how much they like the series. I’m not saying that it’s necessarily wrong for someone to like it, but we need to at least understand that it is more than entertainment. It is revelatory.

If you’re not convinced this is true, look to Thailand. Following the military coup in May, people began to use the three-fingered salute from The Hunger Games as an act of resistance to the new military-run government. This led to multiple arrests. People living in the systems of our world can relate to this story of a totalitarian empire that sends children into the “Hunger Games” where only one can come out victorious, only one survives — these games held to display government power. This is scary.

There are many disheartening parallels to be found between the nation of Panem in The Hunger Games, the nation we live in, and all the powers and principalities of this world. But this is not the only evil exposed by this series. Though, it is the easiest to see. In fact, the larger wrongdoing revealed, the one I think we would do good to uncover, may be the very reason that it is easiest to see the evil of the government.

So what is this subtle evil? Violence. The will of the crowd. The most disturbing part of reading this series was witnessing my own passion to bring about justice by the way of violence catch fire, so to speak.

13150546874_b3f7296522_bLet me say that I am thankful to be an American. However, I was ready to throw the first stone at my nation upon reading these books, but I am now realizing that, sadly, I have both benefited from the brokenness of the system and contributed to it. I certainly have no right to violence; and as Brian Zhand points out in his book A Farewell to Mars, we often think this is what freedom is: a right to violence. He goes on in this book to say that “violence cannot tolerate the presence of one who owes it nothing.” This is a hard truth. We either put ourselves at risk of being stoned or we join in the stoning. No other options exist.

In The Hunger Games, the resistance to the government is formed behind the image of a warrior, a victor, a “courageous” killer, Katniss Everdeen and her three-finger salute. This symbol brings the people of Panem together against the Capitol. The Jews would have much preferred Katniss Everdeen riding in her flaming chariot to Jesus riding on a donkey. Surely, they would not have killed her.

In the series, you see Katniss struggling with the symbol she has become. She is unsure of whether she should continue in her role as the incarnate representation of this resistance movement. In some ways she wants to be more like Jesus and his way of peace. Yet, she cannot overcome the need the mass has for her as a symbol of retaliation, and the systemic “necessitation” of violence.

As Christians we have a different symbol to unite behind, the only symbol that can unite people in peace. That is Jesus Christ, the Prince of Peace. Through his death on the cross he has exposed the inherent evil of the violent systems of the world, the systems that put him on the cross. I think, if we are attentive to the revelatory nature of The Hunger Games series, we might be able to see how they also shine light on these evils. May we not worry about whether the odds are ever in our favor, but instead always choose to follow Christ down the path of peace and peacemaking.

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Stories In Focus

SPOT Preview: “There’s going to be a lot more laughing.”

As first years, Luke Ogden and John Carpenter dreamed of one day hosting SPOT together.  As seniors, the pair will live out that dream this Saturday. Sitting together on a townhouse couch, Ogden and Carpenter discussed the upcoming show, their role as hosts, and inevitably reminisced about their past as students, friends, and roommates.

With a half-empty gallon of green tea in his lap and his co-host’s inspiring presence nearby,

Ogden explained some anticipated differences in the upcoming SPOT, in contrast to previous shows. “There’s going to be a lot more laughing, ‘cause John and I are awesome,” he said.  “There’s going to be even more jokes, more fun-ness, more ooo’s, more ahh’s, more music.”

Ogden also said that he and Carpenter eagerly await aspects of the show that he describes as “elements of surprise and fun.” They look to CAB for one such element, a series of Vines, to go with this SPOT’s theme of social networking, dubbed #hastagspot by the hosts.

Along with the promised humor, Ogden and Carpenter vowed to stay true to SPOT’s function as a variety show. They assure the appearance of some singing acts, group dancing, and plenty of videos. In addition, Carpenter anticipates “some stuff we’ve never really seen before; people are getting pretty creative with their ideas.”

Ogden himself, a music enthusiast, said, “I will probably make a singing appearance… definitely can’t keep my vocal chords from moving.”

Courtesy of Facebook.com
Courtesy of Facebook.com

Aside from Ogden’s own voice, both he and Carpenter expressed specific excitement regarding their choice of musical interludes between acts. Performing live, pianist Malcolm Bell and drummer Jerbrel Bowens will assume the stage frequently during the night, working together to both entertain and enthrall the audience during set changes and act transitions.

As Carpenter said of the two musicians’ talents, “They’re both good enough that we can tell them what to play an hour before the show and they’ll be able to do it.” Ogden added to his co-host’s statement, describing the pair’s awaited musical appearances as “beautiful.”

Aside from the various acts and the musical performances of Bell and Bowens, yet another aspect of SPOT lies in Ogden and Carpenter’s own performance as hosts. As friends since freshman year, the hosts claim four years worth of ideas related to the enactment of this spring’s SPOT.

As roommates, Ogden and Carpenter indulge in planning the event while the majority of Houghton indulges in sleep. “We do a lot of brainstorming in bed at night,” said Carpenter. “Once we’re talking it doesn’t really stop.”

Ogden said, in explaining his relationship with Carpenter, “We feed one another – literally and figuratively.  There’ll be times I’ll be like, ‘John, you want some eggs?’  He’ll be like, ‘Yea’…  But we feed off of each other as well – not so much literally in that way – more figuratively.”  Such “feeding” often results in a cascade of witty comments, the essence of their pending SPOT appearance.

The hosts display chemistry off the stage that can only be anticipated to make an appearance in the spotlight as well. They profess a successful friendship due in part to making up for each other’s faults. For Carpenter, Ogden is better with words; for Ogden, if a joke goes too far, “John always knows when to stop.” Due to such chemistry, or possibly just the fact that they both have blond hair, they once were even mistaken as brothers.

Overall, Ogden and Carpenter anticipate a satisfying SPOT for this spring. They possess confidence in the acts and in themselves as hosts. As opposed to the lengthy, mediocre SPOT of the fall, Ogden plans for a SPOT filled with entertaining acts. He said, “We would rather have an hour-long SPOT of awesomeness and good acts than a two-hour-long with good acts and bad acts.”