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Stories In Focus

Ortlip Art Gallery Opening: Inextinguishable

Inextinguishable, New Works by Sharon McConnell, is an installation that abounds in re-examinations of concept, form, and the everyday. Marking the culmination of a new study in fabrics, McConnell utilizes simple materials and a repeating-square format to create works that interact with our perception of space and meaning.

 Upon initial impression, one immediately notes the way in which the works communicate with the Ortlip Gallery space, with pieces like Studies and The Law of Gravity utilizing wall space and cast shadows to great effect.  By presenting traditional net forms in a nontraditional context, the artist draws beauty out of classically utilitarian forms while utilizing the interplay of light through the pieces to create a tension between net and shadow.

Expanding on the idea of dialectical tensions, The Periodic Table references both familiar and unfamiliar forms, catching the observer in a shifting context of associations.

Mason Art Opening GrayThe familiar becoming unfamiliar is a repeated theme throughout Inextinguishable and is perhaps best embodied in the installation’s centerpiece, Cloudscape 7.24.15. Composed of thousands of individual fabric squares, the piece immediately encounters those entering the gallery as a shimmering cloud formation.  However, as one moves closer, the installation changes, breaking down into individual squares and patterned segments, creating a sharp dialogue between the known and the inexplicable.  Dialogue is again seen in the format of the piece itself which exists as a juxtaposition of pixelated rationality and hand-placed fabric—an arrangement that creates strong dialectical tension between concept and format while forcing the viewer to acknowledge the shifting nature of perception.

Ultimately, Inextinguishable is an exhibition that guides the viewer to an examination of perceptions. By creating dialogue between mediums and juxtaposed relationships, McConnell creates a participatory experience that leaves viewers with their own inextinguishable wonderings about the world around them.

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Reviews Stories In Focus

Album Review: The Neighborhood

The Neighbourhood have enjoyed an astronomical rise to fame propelled by catchy radio singles like Sweater Weather, but underneath their pop exterior, the band packs an aggressive commentary on the struggles of growing up in an increasingly fractured society.  Wiped Out! is an album backed by hip-hop inspired vocals and punchy, guitar-laden tracks.  Present in their initial EPs and cemented by songs like Afraid on their first full length album I Love You, the struggles of identity, relationship, and the duplicitous nature of fame saturate lead singer Jesse Rutherford’s lyrics.

1500x1500srThe band’s sophomore album Wiped Out!—released on the 30th of October— only serves as a more mature distillation of the themes presented in I Love you. The album’s narrative is grounded in the band’s own anxiety about growing up, and the electric beats and crooning guitars on the album lend an intense and introspective mood to the album.  Rutherford’s own honest assessments of his life and the loss of his father appear on tracks like Wiped Out! and Daddy Issues, and serve to highlight the fractured nature of youth.  Finishing with the aptly named R.I.P. 2 My Youth, Rutherford ends the album with a melancholy dirge to his lost youth, burying his past self while stumbling forward into the future.

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Opinions

Will Pictures be the End of Us?

If there’s one unarguable fact about the digital age, it is that images dominate our lives. Every day we’re bombarded by advertisements, Snapchats, Instagram notifications—an unstemmed tide of visual narrative.  If you’ve ever taken a class with Professor Dave Huth, you’ve undoubtedly heard what opponents of our image-saturated age think of this flood of images; how they destroy our culture, decrease social capital and interaction, and ultimately make us a bunch of gibbering idiots covered in x-pro filters.

MasonWilkesAt this point, you’re either tired of hearing this argument, terrified that we’re all going to devolve into those chair people from Wall-E, or, like the skeptical Houghton postmodern that you are, you’ve decided that images can’t be the end of human intelligence. In a way, I identify with all three of these perspectives. On the one hand, I see what appears to be a rapid decline in what has classically been defined as ‘society.’

People statistically talk face-to-face less often, hang out in shorter increments, and on the face of it, literacy and basic common sense seem to have been pushed to the side by our new, selfie-stick-wielding, 24-hour-news-cycle-watching overlords. Recently, this hit me as, ironically enough, I watched the 1963 film Contempt by French director Jean –Luc Godard. Characters in the film consistently quoted from memory the likes of Dante, Virgil, and Homer. And not only did they quote, but they APPLIED what they quoted. The words that they committed to memory, astonishingly enough, impacted their lives.

Now, I don’t know about you, but I find that our culture can barely remember which 125 characters we sent five minutes ago, let alone a passage from Dante’s journey through the bowels of Hell. The likes of media critics would assert that this is due to our increased dependence on our televisions, phones, and computer screens and the resulting ‘death’ of word-based, literary culture. In short, when a phone or a computer becomes your primary means of information gathering, you condense your thought life into a measly 125 characters.

However, before we finish unplugging our routers, deleting our contacts, and in some case (I see you, Neil Postman) fashioning tinfoil hats, I urge consideration of a blended co-existence with technology. While the dangers of technological dependence are well-documented, albeit highly contested, the benefits are often overlooked. Through computing power, we can create twice as fast, reach an exponential number of people with our ideas, and pretty much do ten times the work that we normally could. For instance, the current business idea of the ‘lean startup’ would be largely impossible without the ability of a small staff to work efficiently and effectively—two game-changing characteristics of technological improvement.

mason_quoteIn short, our tendencies are to create binaries—we can either have this or that, but not both. But that does not have to be the case in regards to our interactions with technology. If we foolishly allow ourselves to become entirely absorbed by yakking, snapping, and tweeting, we miss out on a significant portion of beneficial literary and interpersonal communication. Concurrently, if we focus only on the interpersonal and literary, we miss out on the benefits of mass communication, entirely disregarding the current trends of overlap between these two. Ultimately, by applying some self-control and a little creativity, the two often “opposing” parts of modern life can be brought together into a continuous whole.

So here’s my advice: go read a book, discuss it, and then snap about it with your friends. *
*(data and message rates may apply)