By Caleb Tiedemann
With the Oscars right around the corner, I am scrambling to try and watch each nominated movie to see if they are truly worthy of the categories they were nominated for. This year was terrific for movies that were not big-budget IP films. In this brief essay, I will discuss the various films I watched throughout the year, ones that were amazing and ones that flopped.
Firstly, Marvel and DC finally got knocked down a couple of steps from their pedestal as they released quite a few stinkers. The year started very strongly, with Marvel’s darker-themed thriller in “Moon Knight,” which truly showed the amazing acting range of Oscar Isaac and Ethan Hawke, as well as DC’s Matt Reeves’, directed, very darkly lit, almost horror-esque thriller; “The Batman.” “The Batman” was a wonderful return to the form of a dark detective adventure, showcasing Wayne’s early years as he brutally navigates an evil Gotham. “The Batman” emerges from 2022 as the best superhero movie.
Unfortunately, as the year progressed, the superhero genre released quite a few stinkers. “Morbius,” though entertained as a hilarious internet meme for a while, was quite pathetic in terms of usage for a Marvel hero. “Doctor Strange” managed to be a fun movie but was brought down by studio interference pushing away Sam Raimi’s directorial style and replacing it with uneven pacing and a shortened runtime. This was followed up by the disaster that was “Thor: Love and Thunder,” which was a cheesy, disappointing, almost completely green-screened (and horribly) flop that disappointed nearly everyone that I have conversed with regarding the movie. I will not even mention “She-Hulk” as almost anyone who watched it would rather not ever discuss it again. It was then followed by DC’s “Black Adam,” which is essentially a “Shazam” ripoff with very few redeeming qualities. Our final movie from Marvel was “Black Panther: Wakanda Forever,” and though it was not anywhere as bad as the previously mentioned movies, it felt very bloated and long, with a plot that lacked substance. Still, it managed to be exciting and an honorable tribute to the late Chadwick Boseman. So maybe, there’s hope for Marvel in 2023?
Aside from superhero movies, we also got another big production in “Jurassic World: Dominion” which flopped horrendously, being a poorly written and directed film that neither honors the source material nor gives anyone anything meaningful in terms of character development or plot devices. We also got the release of “Fantastic Beasts: The Crimes of Grindelwald,” which I enjoyed quite a bit, but no one seems all that interested in since Johnny Depp was fired from his role, which, honestly, is completely understandable.
But all these flops from big-budget IPs gave time to the others to shine, and shine they did! I started off the year quite nicely with a hilarious Cage and Pascal-led comedy, “The Unbearable Weight of Massive Talent,” a funny, self-aware film that pokes fun at its own substance and character, as well as provides good laughs and a surprisingly interesting plot. It was then followed by the AMAZING A24 film, “Everything Everywhere All at Once,” a supreme multiverse comedy/adventure that blows “Doctor Strange”’s multiverse concept completely out of the water. It tells the story of a divided family struggling to tolerate each other brought together by an evil threat from within. It’s a completely insane idea and ride that has brought me to tears in every viewing, with all the heart put in by the production teams. Ke Huy Quan gives an all-star performance, boosted by the rest of the movie’s stellar cast, and is the only answer to the winner of Best Supporting Actor! Jordan Peele also gave a very nice horror film in his unsettling, unique, alien film: “Nope,” a unique concept with a couple of scenes that genuinely terrified me in theaters. The final summer blockbuster that I thoroughly enjoyed was “Bullet Train.” The Brad Pitt-led action, the turn-your-brain-off film was a fun ride to just sit and enjoy and put me in the perfect place to begin my 2022 fall semester.
2022 managed to end off with quite a few triumphs. A24’s second movie, “The Whale,” brings the wonderful actor Brendan Fraser back to the screen after a long departure, and he gives a wonderful performance as the 600 lb recluse, who, when told will be dead within a week, attempts to reconnect with his estranged, rebellious teenage daughter. Fraser gives a painfully honest and heartfelt betrayal as his character goes through the motions of accepting his upcoming death and the mistakes he has made throughout his life. Fraser himself has been nominated for Best Actor in a Leading Role and truly outperformed everyone else. Damien Chazelle also gave a completely crazy movie with “Babylon,” a movie about the turning point from silent films to talkies and the effect it had on actors and Hollywood itself. It boasts a talented cast and composer who is up for the Best Original Score award; one that I am hoping he wins.
The final gem of 2022 has to be James Cameron’s long-awaited “Avatar: The Way of the Water.” Cameron truly delivered another unique and fun 200-minute spectacle that manages to fully encapsulate the attention of audiences by providing great action and a whole lot of fun. His dive back into the Avatar world should award him the Best Special Effects award at the Oscars, as the CG is flawless and the motion capture is on point. There are very few movies that can be completely CG and still be absolutely stunning. Avatar is one of them. The final gen of this year and my personal favorite is “Top Gun: Maverick,” a sequel that outshines the original in all the ways that count. It provided me with one of the most utterly mesmerizing theater experiences that hit every note in honoring the characters and “Top Gun” legacy. The use of practical effects and special tech to achieve an enthralling film experience was worth it and completely blew me out of the water when I saw it. It is up for Best Picture though I doubt it will win with the titans it has been pitted against it. My belief is that Best Picture will either go to “Avatar” or “Everything Everywhere.”
In the end, I am so glad to be alive for an age of gorgeous movies and was very impressed with some of the original ideas that were put to screen this year. Of course, all of these opinions offered are my own, and if you agree; wonderful! If you don’t, even better! I am sure there are many controversial opinions offered and welcome any new ones. Overall, 2022 was a successful year dethroning the usual titans and allowing others to perform on their own. I look forward to the upcoming Oscars and films that will be released this year, too. ★
