By Caleb Tiedemann
“I admire its purity.” – Science Officer Ash
Alien is just that. Purity. Through and through, it is perfect. At this time in film history, space was a relatively unexplored concept. Stanley Kubrick’s film 2001: A Space Odyssey and George Lucas’s Star Wars were the only predecessors in the space genre. Horror in space had not been done. However, in 1979 Ridley Scott delivered Alien.
Alien is a horror classic that follows the crew of the Nostromo when they intercept a distress signal from a planet of unknown origin. Ordered by their superiors, the crew lands and begins to explore. When one of the crew is attacked by an unknown creature, he is quickly rushed back to the ship, unaware of the impregnation of a parasite that will explode from his body and terrorize the rest of the crew.
The plot follows the typical “last survivor” trope. To be fair, this is a trope of the 2000s and not really of the 70s, which leads me to wonder if Alien had a hand in kickstarting that. One of the complaints I’ve heard before is that the movie is slow, and I completely agree. But that’s where some of the mastery comes into play. The calm before the storm, so to speak, lets each character be established so you can gather their general personality. That being said, all of these actors are wonderfully handpicked, and each manages to bring personality and genuine humanity to their characters, no matter how long or short they are on screen. Each character is wonderfully alive, until they aren’t, of course, but their journey of survival is one that you latch onto with the hope that your favorite will come out on top.
Another beautiful aspect is the costume for the alien known as the Xenomorph. A hulking black skeletal creature that skulks around silently, blending into the darkness before lunging out to kill you with its dangerous appendages. The cinematic aspects are enormous. The sets and scenery are absolutely perfect. A dark and cluttered ship offers the perfect environment for anything to hide. The clutter adds a paranoid claustrophobic element, as there is truly no escape from the horror. The use of lighting in this movie is amazing. Darkness completely covers the sets which work another fear in the movie, a silent terror in the darkness.
The lack of computer-generated imagery (CGI) is also something to be praised. In a world where a movie without CGI is unthinkable, it is always refreshing to view classics and learn how filmmakers used special effects to achieve their desires. The alien costume is horrifying and looks far superior in live action, whereas the later alien movies used CGI for the Xenomorphs and therefore lost some of its distinctiveness. The space scenes use models just as George Lucas did for early Star Wars and honestly, in its own special way, it stands far superior to many movies that do not. The combination of these elements works tremendously well for the movie.
The final aspect that sets the movie aside is the sound design. Combined with the factors above, the sounds of the ship are a whole new addition. All of your senses are preoccupied with sounds, sights, or lack thereof. The score is a horrifyingly eerie one that builds up tension. Sometimes it’s all for nothing, other times it doesn’t build up well enough until you see the Xenomorph take another victim. The movie does a great job of keeping you guessing whether or not you’re genuinely in for a scare.
Overall, Alien is a classic horror movie that is essential for any horror lover. A 1979 classic that embodies all the essential emotions and fears of a horror movie, sucking you into this nightmare with the crew of the Nostromo. I truly believe this movie is “pure” in all the right ways and offers an experience that few movies can.
Final Grade: 10/10 (A+) ★
